Jodi Picoult - NINETEEN MINUTES

NINETEEN MINUTES

About the book
A conversation with Jodi about NINETEEN MINUTES
Book club discussion questions
Press interviews about NINETEEN MINUTES
Reviews
Buy the book

If you like NINETEEN MINUTES, you’ll also like TENTH CIRCLE and THE PACT

About the book

Your son says the bullying was unbearable.
But his revenge was murder.
WHAT WOULD YOU DO?

As a midwife, Lacy Houghton brings lives into the world.

She didn't expect her son to take them away.

But that's what he did one March morning, when he walked into school with guns instead of books and killed ten people.

Along with the rest of the shocked and grief-stricken town, Lacy is left wondering when her shy 17-year-old boy turned into a monster. And was it her fault?

In the aftermath of the shooting, Lacy searches the past for clues and begins to realise that despite, or perhaps because of, her every effort, she never really knew her son at all . . .

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A conversation with Jodi about NINETEEN MINUTES

What drew you to the subject of school shootings for the premise of a novel?
As a mom of three, I've seen my own children struggle with fitting in, and being bullied. It was listening to their experiences, and my own frustrations, that led me to consider the topic. I also kept thinking about how it's not just in high school where we have this public persona that might be different from what we truly feel inside…everyone wonders if they're good enough, smart enough, pretty enough, no matter how old they are. It's an archetypical moral dilemma- do you act like yourself, and risk becoming an outcast? Or do you pretend to be someone you're not, and hope no one finds out you're faking?

How did you go about conducting research for NINETEEN MINUTES? Given the heart wrenching and emotional topic of the book, in what ways was the research process more challenging than for your previous novels?
This book was VERY hard to research. I actually began through my long time legal research helper, who had a colleague that had worked in the FBI and put me in touch with the Jefferson County Sheriff's Office – the people who investigated the Columbine shootings. I spoke with them, and they sent me DVDs and material that had never been made available to the public, which helped a bit to get into the mindset of the shooters. The next contact I made was with a woman who served as a grief counselor to the families who lost children at Columbine. However, I really wanted to talk to a school shooting survivor…and yet I didn't want to cause anyone undue pain by bringing up what will always be a difficult subject. I was actually in Minneapolis, doing a reading, when the Red Lake shootings occurred. It was the most surreal feeling: there I was in a hotel, writing a scene in the book, and on the TV next to me was a reporter saying exactly what I was typing into my fiction. I went to the bookstore event that night and was telling folks about the way my two worlds had collided…and a woman came up to me afterward. She knew someone who'd survived the Rocori shootings in MN, and was willing to put me in touch with her. Through that connection, I not only spoke with two teachers who shared with me their story of the shooting…but also a young man whose friend died that day. It was his commentary that shook me the most – as a writer and a parent – and that became the most important research I did for this book.

What facts did you uncover during your research that might surprise readers whose knowledge of school shootings comes solely from media coverage?
Although the media is quick to list the “aberrant” characteristics of a school shooter, the truth is that they fit all teens at some point in their adolescence! Or in other words – these kids who resort to violence are not all that different from the one living upstairs in your own house, most likely – as scary as that is to imagine. Two other facts that surprised me: for many of these shooters, there is the thinnest line between suicide and homicide. They go to the school planning to kill themselves and decide at the last minute to shoot others too. And that, psychologically, a single act of childhood bullying is as scarring emotionally as a single act of sexual abuse. From the point of view of the survivors, I remember being stunned when this young man I interviewed said that afterward, when his parents were trying to be solicitous and ask him if he needed anything, he turned away from them…because he was angry that they hadn't been like that yesterday, BEFORE. Historically, one of the most upsetting things I learned was that after Columbine, more than one family was told that their child was the first to be killed. It was theoretically supposed to offer them comfort (“my child went first, and didn't suffer”) but backfired when several families realized they'd been told the same thing.

What appealed to you about bringing back two characters from previous novels: defense lawyer Jordan McAfee and detective Patrick DuCharme? Why the romantic resolution for Patrick this time?
Okay, I'm just going to admit it to the world: I have a crush on Patrick DuCharme. And of course, he DIDN'T get the girl at the end of PERFECT MATCH. So I really wanted him to star in another story, where he was front and center. (For those really savvy readers, who want to torture themselves with unanswered questions – scroll back to Chapter 1 of NINETEEN MINUTES and do the math: how old is Nina's little girl? And how long ago was PERFECT MATCH. Hmm….) As for Jordan – as soon as I realized that I had a murder trial in New Hampshire, I started thinking of who might defend Peter. And Jordan happened to be free…! It's always great fun to bring a character back, because you get to catch up on his/her life; and you don't have to reinvent the wheel – you already know how he speaks, acts, thinks.

In NINETEEN MINUTES, Lewis Houghton is a college professor whose area of expertise is the economics of happiness. Does such a profession actually exist? How does Lewis' job relate to the story as a whole?
It does exist! There are economics professors who run statistics about how different elements of a person's life (marriage, sexual orientation, salary, etc.) can add to or detract from overall happiness, by giving those elements a dollar value. Lewis's equation – that happiness equals reality divided by expectations – is from real research. However,I sort of fudged the other equation he devises: that expectation divided by reality equals hope. As for how the profession relates to the story – well, you have to love the irony of a guy who studies happiness for a living, and yet isn't aware of the discontent simmering beneath his own roof.

As the mother of three children, was the subject of popularity and the cruel ways in which children often treat one another a difficult one for you to address?
It is always hardest for me to write a book that has kids in it close to my kids' ages – and NINETEEN MINUTES does. I think that every parent has probably experienced bullying in some form – either from the POV of the bully or the victim – so it's a pretty universal subject. But in many ways, watching my children as they struggled to find their own place in the social hierarchy of school did make them guinea pigs for me, as I was writing the book. I know that many of my readers are the age of the young characters in this book, and over the years, some have written me to ask if I'd write a book about bullying. But it wasn't until I began to connect what kids experience in school with how adults treat other adults who are somehow different that I began to piece together the story. Discrimination and difference at the high school level will never end until the adults running these schools can go about their own lives without judging others for their race, religion, sexual orientation, etc. How ridiculous is it that America prides itself on being a melting pot, when – as Peter says in the novel – that just means it makes everyone the same?

Did you have the surprise ending in mind when you began writing NINETEEN MINUTES, or did it evolve later in the process?
As with all my books, I knew the ending before I wrote the first word.

You're the author of fourteen novels. As you write more and more books, is it harder to come up with ideas? How do you know when an idea is the right one?
The right idea is the one you can't stop thinking about; the one that's in your head first thing in the morning. The ideas choose me, not the other way around. And as for a shortage (I'm knocking on wood, here) I haven't faced that yet. I could tell you what the next four books I'm writing will address.

You once remarked about your previous novel, MY SISTER'S KEEPER, that “there are so many shades of gray in real life.” How might this statement also apply to NINETEEN MINUTES?
It's funny you should compare NINETEEN MINUTES to MY SISTER'S KEEPER because I see them as very similar books – they are both very emotional, very gut-wrenching, and they're situations that every parent dreads. And like the moral and ethical complications of MSK, you have a kid in NINETEEN MINUTES who does something that, on the surface, is absolutely devastating and destructive and will end the lives of others. But – given what these characters have endured – can you blame them? Do I condone school shootings? Absolutely not. But I can understand why a child who's been victimized might feel like he's justified in fighting back. I also think it's fascinating to look at how two good parents might find themselves with a child they do not recognize – a child who does something they can't swallow. Do you stop loving your son just because he's done something horrible? And if you don't, do you start hating yourself? There are so many questions rai NINETEEN MINUTES – it's one big grey area to wallow in with your book group!

Many of your books center on topics that are front and centre in the headlines. Is it important for you to not only entertain readers with a riveting storyline but to challenge them to think about timely and often controversial topics? Why do you suppose you have gravitated toward this type of storytelling?
I think that sometimes when we don't want to talk about issues that are hard to discuss or difficult to face, it's easier to digest it in fiction instead of non-fiction. I mean, no one goes into their bookstore and says, “Hey, can I read the most recent book about the sexual molestation of kids!?” but if you pick up a novel that has that as its centre, you will become involved with the characters and the plot and find yourself dissecting the issue without even realizing it. Fiction allows for moral questioning, but through the back door. Personally, I like books that make you think – books you're still wondering about three days after you finish them; books you hand to a friend and say “Read this, so we can talk about it.” I suppose I'm just writing the kind of novel I like to read!

In the Acknowledgements section, you write: “To the thousands of kids out there who are a little bit different, a little bit scared, a little bit unpopular: this one's for you.” What might readers, particularly younger readers, take from this book and apply to their own lives?
If I could say one thing to the legions of teens out there who wake up every morning and wish they didn't have to go to school, it would be this – and I'm saying it as both a mom and a writer: Stay the course. You WILL find someone like you; you WILL fit in one day. And know that even the cool kids, the popular kids, worry that someone will find out their secret: that they worry about fitting in, just like you do.

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Book club discussion questions

Alex and Lacy's friendship comes to an end when they discover Peter and Josie playing with guns in the Houghton house. Why does Alex decide that it's in Josie's best interest to keep her daughter away from Peter? What significance is there to the fact that Alex is the first one to prevent Josie from being friends with Peter?
Alex often has trouble separating her roles as a judge and a mother. How does this affect her relationship with Josie? Discuss whether or not Alex's job is more important to her than being a mother.
A theme throughout the novel is the idea of masks and personas, and pretending to be someone you're not. To which characters does this apply, and why?
At one point defense attorney Jordan McAfee refers to himself as a “spin doctor,” and he believes that at the end of Peter's trial he “will be either reviled or canonized” (250). What is your view of Jordan? As you were reading the book, did you find it difficult or not to remain objective about the judicial system's standing that every defendant (no matter how heinous his or her crime) has the right to a fair trial?
Peter was a victim of bullying for twelve years at the hands of certain classmates, many of whom repeatedly tormented him. But he also shot and killed students he had never met or who had never done anything wrong to him. What empathy, if any, did you have for Peter both before and after the shooting?
Josie and Peter were friends until the sixth grade. Is it understandable that Josie decided not to hang out with Peter in favor of the popular crowd? Why or why not? How accurate and believable did you find the author's depiction of high school peer pressure and the quest for popularity? Do you believe, as Picoult suggests, that even the popular kids are afraid that their own friends will turn on them?
Josie admits she often witnessed Matt's cruelty toward other students. Why then does it come as such a surprise to Josie when Matt abuses her verbally and physically? How much did you empathize with Josie?
Regarding Lacy, Patrick notes that “in a different way, this woman was a victim of her son's actions, too” (53). How much responsibility do Lewis and Lacy bear for Peter's actions? How about Lewis in particular, who taught his son how to handle guns and hunt?
At one point during Peter's bullying, Lacy is encouraged by an elementary school teacher to force Peter to stand up for himself. She threatens to cancel his playdates with Josie if he doesn't fight back. How did you feel, when you read that scene? Do you blame Lacy for Peter's future actions because of it? Do you agree or disagree with the idea that it a parent's job to teach a child the skills necessary to defend himself?
Discuss the novel's structure. In what ways do the alternating narratives between past and present enhance the story? How do the scenes in the past give you further insight into the characters and their actions, particularly Peter and Josie?
When Patrick arrives at Sterling High after the shooting, “his entire body began to shake, knowing that for so many students and parents and citizens today, he had once again been too late” (24). Why does Patrick blame himself for not preventing an incident he had no way of knowing was going to happen?
Dr. King, an expert witness for the defense, states that Peter was suffering from Post Traumatic Stress Disorder as a result of chronic victimization. “But a big part of it, too,” he adds, “is the society that created both Peter and those bullies” (409). What reasons does Dr. King give to support his assertion that society is partly to blame for Peter's actions as well as those of the bullies? Do you agree with this? Why or why not?
Why does Josie choose to shoot Matt instead of shooting Peter? Why does Peter remain silent about Josie's role in the shooting? In the end, has justice been satisfactorily dealt to Peter and to Josie?
Discuss the very ending of the novel, which concludes on the one-year anniversary of the Sterling High shooting. Why do you suppose the author chose to leave readers with an image of Patrick and Alex, who is pregnant? In what way does the final image of the book predict the future?
Shootings have occurred at a number of high schools across the country over the last several years. Did NINETEEN MINUTES make you think about these incidents in a more immediate way than reading about them in the newspaper or seeing coverage on television? How so? In what ways did the novel impact your opinion of the parties generally involved in school shootings—perpetrators, victims, fellow students, teachers, parents, attorneys, and law enforcement officials?
What do you think the author is proposing as the root of the problem of school violence? What have you heard, in the media and in political forums, as solutions? Do you think they will work? Why or why not?

Press Interviews

ON SCHOOL SHOOTINGS AND THE NOVEL

'This is a topic we need to start talking about. We can go on not talking about it, but a lot of kids are going to die. People want to believe that school shootings happen in big cities like New York, but they also happen in small towns like this, where there is a high socio-economic bracket'

'When something like a school shooting happens, we immediately think it has to do with the shooter's upbringing. But what if it's more complex? What if it's not just his own parents who failed him but his own community? What if, as a parent, you do everything right, but something horrible still happens? How do you go on loving your child?'

'In this country we are looking at school violence in totally the wrong way. The root of the problem is discrimination in school and a lack of tolerance. The problem starts with parents and the people they elect into positions of power. We are in a position right now where half of the country's lobbyists are trying to make gay marriage illegal. If that is happening on a national scale, how can a gay kid be tolerated in school?'

'This is every American parent's greatest fear. But I think they will be surprised by how much they have in common with the characters. Including the shooter'

Extracted from 'The great unknown' interview, The Observer, 15th April 2007

ON THE NOVEL'S IMPACT

'There are a hundred school districts now using the book as curriculum. Having done the research and been all over the world talking to school groups about this, the way that we're going to change things and see a reduction in school violence is by involving kids in the discussion. Having it taught in schools is a really great start. And I'm really proud of that'

Extracted from 'The heart of the matter' Independent on Sunday interview, 11 May 2008

On the fact that NINETEEN MINUTES came out days before the Virginia Tech shooting

'People always say, "You're so psychic," but I don't think that's it at all. I think it's that I write about the things that I worry about and I worry about the exact same things that everybody else worries about'

Extracted from 'Jodi Picoult the exorcist' interview, The Telegraph, 6 April 2008.

ON HER RESEARCH FOR THE NOVEL

'You can't really write a school-shooting book in America without going to Columbine. It is a community that is still very raw. You sense that they are never going to get through it'

Extracted from 'The great unknown' interview, The Observer, 15th April 2007

Reviews

'Impossible to put down and stayed in my mind long after I had finished'

Observer

'Slick, emotive and as readable as ever'

Daily Mail

'Picoult, once again, grabs a razor-sharp issue and uses her brilliantly intricate pen to expose all the shades of grey with PERFECTION'

Cosmopolitan

'[Jodi] writes articulately and clearly, making her all too much of a rarity among authors'

Scotland on Sunday

'This is powerful writing ... Set against a fascinating legal backdrop, providing twists and turns at every stage, NINETEEN MINUTES is an utterly compelling novel: Picoult at her very best'

Waterstone's Magazine

'Her unique ability to take a life-changing incident and explore it from all angles with empathy is fast becoming her trademark. It makes this an intriguing and moving read'

TheLondonPaper

'This gripping, sensitive book looks at the aftermath; the effect on Peter himself, his mother, his victims, the girl he was in love with, and the shock for the small-town community. INTENSELY POWERFUL'

Easy Living

'Bestselling author Jodi Picoult has done it again, with the griipping novel about a shooting incident . . . THIS SUMMER'S BEST PAGE-TURNER'

She

'A grim subject, but Picoult is a best-seller for good reason – tight plots and a style that reads easily, but is never glib'

Marie Claire

'Her addictive prose hooks you ... she also has an uncanny talent for capturing the complex details of human interaction. ... her mission: to keep readers on the treacherous edge of making their own minds up'

Good Housekeeping

'A horrifying, close to real-life read, this novel is incredibly thought-provoking..'

Sun

'Superb, many-stranded and grimly topical . . . Picoult binds together precarious alliances with sensitivity, giving depth to characters without losing pace. Inhabited by contradictory, flawed individuals, this intelligent novel draws suspense, moral complexity and a stunning final twist out of what initially seemed a monochrome situation'

The Times

'Under the subtle, practised pen of Jodi Picoult, the emotionally and politically charged subject of a high-school shooting is deftly handled'

Good Book Guide

'Jodi Picoult's clear ear for dialogue quickly establishes a diverse cast in this superb love story...It's hard to exaggerate how well Picoult writes. Like Louise Erdrich, she suffuses complex, exciting, big plots with the subtle pace of Native American affairs, producing unsentimental, passionate sagas'

Financial Times

'Jodi Picoult is not one to shy away from fictional controversy; in fact, the more tangled and messy a moral dilemma appears, the better she likes it. Daily Mail

'Picoult has been incredibly successful in dissecting the pain that family members go through when faced with sensitive and emotive issues'

Daily Express

'A Gripping and chilling read, NINETEEN MINUTES is reminiscent of Arthur Miller's play The Crucible in the way it captures the claustrophobic atmosphere of small town America, where members of a community struggle to cope with their grief and shortcomings in a world they hardly recognise any more'

Daily Express

'Totally absorbing'

The Times

'Jodi Picoult is canny enough not to mess with the key to her success and stays firmly focussed on her mission: to keep readers on the treacherous edge of making their own minds up'

Good HouseKeeping

'Picoult is a master of complex personal relationships'